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Max Johnson Trio - Elevated Vegetation Album

Max Johnson Trio - Elevated Vegetation Album
Performer: Max Johnson Trio
Title: Elevated Vegetation
Released: Oct 2012
Label: FMR Records
Country: UK
Style: Contemporary Jazz, Free Jazz
Catalog #: FMRCD343-0812
Genre: Jazz
Rating: 4.2
Votes: 818
Formats: CD, Album
FLAC size: 2784 mb
MP3 size: 2817 mb

Tracklist

1Kersey
Composed By – M. Johnson
6:49
2Blue Willie
Composed By – M. Johnson
5:18
3Many Celebrations
Composed By – M. Johnson
4:57
4Meta Analytical Procedures For Social Research
Composed By – K. Knuffke
4:19
5The Chirps Of Imaginary Birds
Composed By – M. Johnson
4:51
6Death Wish
Composed By – M. Johnson
6:14
7Crackdown
Composed By – M. Johnson
5:22
8Bali H'ai
Composed By – R. Rodgers
6:59
9Money, Money, Money
Composed By – B. Andersson, B. Ulvaeus
9:38

Credits

  • Artwork [Original Artwork]Victoria Salvador
  • BassMax Johnson
  • CornetKirk Knuffke
  • DrumsZiv Ravitz
  • Liner NotesMax Johnson
  • Mixed By, Mastered ByTim Cramer
  • ProducerTrevor Taylor
  • Recorded ByRoss Bonadona

Notes

Recorded at Wombat Recording Company on February 20th, 2012

Barcodes

  • Barcode: 6 49849 98287 2

Companies

  • Recorded At – Wombat Recording Co.
  • Mixed At – Cramersound
  • Mastered At – Cramersound

Album

Listen free to Max Johnson Trio Elevated Vegetation Blue Willie, Money, Money, Money and more. 9 tracks 54:27. MAX JOHNSON - Elevated Vegetation. Jazz music community with review and forums. 0 rating 0 review. Album 2012. Filed under Avant-Garde Jazz By MAX JOHNSON. Max Johnson - bass Ziv Ravitz - drums Kirk Knuffke - cornet. First Law: Max Johnson bass has the ability to search out the best musicians to suit his current project. Ziv Ravitz drums, drawing from his Israeli roots, contributes not only a solid and earthy foundation for the others to play over but also provides just enough world music flavor without making it old or tired. Rounding out the trio is Kirk Knuffke cornet, who not only writes a great track for the album Meta Analytical Procedures for Social Research, but also takes Johnson's melodies and arrangements and transports them from the ground, past the weeds and straight to the fruit on top of all the vegetation. The Invisible Trio - Kirk Knuffke, Max Johnson, Ziv Ravitz, Max Johnson Trio. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. The sophomore release of New York-based Max Johnson, after Elevated Vegetation FMR 2012, finds this highly versatile acoustic trio focusing more on written compositions and less on free improvisation. The trio-Johnson on double bass, prolific Kirk Knuffke on cornet and Ziv Ravitz on the drums-enjoys stretching Johnson's compositions in surprising ways. Knuffke expands, disintegrates and re- structures Johnson's harmonic ideas in an expressive and imaginative manner, adapting himself to the shifting pulse of resourceful Ravitz and loose timekeeping colors of Johnson, who often uses. An active bandleader, Max Johnson has six records to his name: Elevated Vegetation FMR, The Invisible Trio & Something Familiar Fresh Sound-New Talent, featuring Kirk Knuffke on cornet & Ziv Ravitz on drums The Prisoner NoBusiness featuring Ingrid Laubrock, Mat Maneri & Tomas Fujiwara and Quartet NotTwo, with Mark Whitecage on alto saxophone and clarinet, Steve Swell on trombone, and Tyshawn Sorey on drums. Big Eyed Rabbit, his collaborative trio with Ross Martin and Jeff Davis, also released their debut album in 2014, Big Eyed Rabbit NotTwo. To SelectUnselect all tracks in the album simply click В CheckВ above the checkboxes column. a free 10-40 seconds partial preview available for active users only. All audio files are for personal use only. Any further distribution, resale or broadcasting are prohibited. Total time:0. The trio is Max Johnson on bass, Ziv Ravitz on drums and the - inevitable - Kirk Knuffke on cornet. The trio's playing is rooted in jazz tradition, relatively accessible without being mainstream. Johnson's compositions are sketchy, leaving lots of room for improvisation and abstract developments. The sound is warm, intimate and compelling. Some tracks, such as Don Wrinkles are based on a solid boppish theme and rhythm, including walking bass, solid pulse on the drums and soaring soloing by Knuffke, others, like A Pair Of Glasses, sound like warm cool jazz, and

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